CULTURE & LIFESTYLE
Not just a man of science
Dr Nawaraj KC, a paediatrician and author, discusses how he juggles his passion for literature and committment to medical career.
Dr Nawaraj KC is not just a man of science—he is also a man of the written words. A paediatrician by profession, he has dedicated years of his life to the medical field, all the while holding a special place in his heart for literature. It is his passion for his work and love for words, that led to the publication of his first novel, ‘Shunya Ko Mulya’, a book about the struggles of motherhood and the
importance of maternal health.
In this interview with the Post’s Manushree Mahat, KC discusses his lifelong passion for literature and the need for medical literature that
reflects Nepal’s healthcare landscape.
When did your reading journey begin, and how has it taken shape over the years?
Reading has been a significant part of my life ever since I was young. My father was a teacher, so I would often find magazines and novels lying around the house. The school library also held a special place in my heart, where I fondly remember spending my early days immersed in Mahabharata and Ramayana comics.
As I grew older, I started reading the works of Bhairav Aryal and Shankar Lamichhane. My love for literature eventually led me to a career in writing. During my school days, I often penned poems and stories, earning recognition and prizes for some of my work.
My love for books continued to grow even as I moved from Surkhet to Kathmandu for my +2 education. I became a regular visitor to The British Council Library, where I spent my mornings and evenings surrounded by books. I became so familiar with the library that I could almost recite the location of every book.
However, my pursuit of a medical degree led to a decline in my reading habits. Medical textbooks dominated my life during that time. Nevertheless, I never let go of literature entirely. When I began working as a doctor, I rekindled my love for reading, although my reading preferences shifted.
These days, I find myself drawn to non-fiction and scientific research-based books that offer insights into societal change. One book that significantly contributed to my research and writing is ‘Why Gender Matters in Economy’, which explores how gender discrimination hinders global economic progress. However, I haven’t entirely abandoned fiction, of course. I still enjoy books by Amar Neupane and Buddhisagar. Recently, I’ve also started reading all of Laxmi Prasad Devkota’s works.
You have talked about the importance of scientific books in influencing social change. Can you share your experience in translating science and humanism into your book?
I began writing my novel when I was so touched by the people I encountered that I felt like I couldn’t contain my emotions any longer. As a new doctor, my focus was initially solely on the child’s condition, going through all the procedures I had to as a paediatrician—all that my medical degree had taught me.
However, I soon began to notice the mothers who had travelled for days to seek medical help for their children. Recognising that mothers are the foundation of our society, I realised that we can’t achieve genuine peace and prosperity unless we do everything
possible to support maternal health. Writing my book was a lengthy process involving extensive data collection. While collecting quantitative data was challenging, adding an emotional dimension to my characters to authentically portray their struggles proved to be the real difficulty.
Do you think the healthcare system is adequately represented in literature?
No, I don’t believe it is yet.
Most books that medical professionals read are centred around research in communities outside of Nepal. There are very few research-based books focusing on the healthcare situations within Nepal, which can alienate our youth.
I also think patients bring life to hospitals. They bring painful yet real stories and experiences. As doctors, we witness these hardships up close. It’s essential to bring the struggles of our local people into the spotlight. As healthcare workers, we have the power to shed light on these human stories and drive social and policy change. Medical literature is evolving, and I hope it continues to expand in the years to come.
Based on our discussion, it’s clear that empathy is crucial in the field of medicine. How do you view the role of our education system in nurturing these essential qualities in future doctors, and how can literature contribute to this?
One of the most important things in medicine is the principle of studying the patient’s medical history. Empathy is closely connected to improved diagnostic skills because being a good listener enables a more precise understanding of the patient’s problems.
However, our education system has room for improvement in this regard. We should train our doctors to understand the language and experiences of local people. Personally, I felt that my medical education was incomplete until I began to observe and connect with the stories of the people in Surkhet. To enhance our medical programmes, we need to integrate humanism into the sciences. Until we achieve this, literature remains one of the most effective means to share the stories of our local communities.
The positive response to my book, both from the general audience, who appreciated its focus on motherhood, and from policymakers who provided feedback, reinforces my belief that the involvement of medical professionals in literature can significantly contribute to driving changes in our society’s healthcare system.
Dr Nawaraj KC’s book recommendations
Seto Dharti
Author: Amar Neupane
Publisher: FinePrint
Year: 2012
Seto Dharti explores the unjust and harmful practice of child marriage. It’s written in a beautiful yet heart-wrenching prose. This book will evoke a range of emotions in you—I shed tears, shared laughter, and felt everything in between while reading it.
Karnali Blues
Author: Buddhisagar
Publisher: FinePrint
Year: 2010
This book holds a special place in my heart. It’s a book set in my hometown, where I’ve been practising medicine for years. Many of us have read the Nepali version, and I believe the English translation is equally significant in promoting Nepali literature on the global stage.
Why Gender Matters in Economics
Author: Mukesh Eswaran
Publisher: Princeton University Press
Year: 2014
Why Gender Matters in Economy is a highly research-oriented book that examines how gender discrimination hinders economic progress. I’ve mentioned it extensively in my own book because it presents crucial discussions in a clear and logical way.
Buddhakalin Samaj
Author: Umakanta Poudyal
Publisher: FinePrint
Year: 2023
I recently read Buddhakalin Samaj, which is another well-researched and beautifully written novel that explores the time, culture, society and system during Buddha’s times.
Sociobiology
Author: Edward O Wilson
Publisher: Harvard University Press
Year: 1975
Sociobiology is a book that explores the biological and social evolution of humans and other living creatures. I believe everyone should read it to better
understand how we have evolved socially as a species.
CULTURE & LIFESTYLE
A walkathon for breast cancer awareness
- Post Report
Kathmandu,
Cotiviti Cares has announced PINKWalk, a fundraising and awareness walkathon for breast cancer. Cotiviti Cares is the corporate social responsibility team of Cotiviti Nepal, a healthcare informatics organisation with headquarters in the US.
The organisers reveal they aim to have a positive impact on the community, particularly in the areas of health, education, and the environment, through the event.
According to Cotiviti Nepal, the primary objective of the PINKWalk is to increase awareness about breast cancer, promote early detection, show support for those affected by the disease, and raise funds for research, treatment, and support. All proceeds from the event will go to the Cancer Care Nepal Society, an organisation working to fight against breast cancer.
Interested participants can register for the event via IMEPay. On-the-spot registration will also be available on the day of the event.
PINKWalk will take place on September 30, starting at 6:00 am. Participants will move through Narayan Chaur, Nagpokhari, Kantipath, Sohrakhutte and Shova Bhagwati during the walkathon. The event will end at Swayambhu.
“We are eager to raise awareness about this important cause,” says Shashank Shrestha, a software engineer at Cotiviti Nepal.
The walkathon is open to participants of all ages and backgrounds.
What: Pinkathon
When: September 30
Time: 6:00 am to 10:00 am
Starting point: Narayan Chaur, Kathmandu
CULTURE & LIFESTYLE
Hollywood writers’ strike is over after guild leaders approve contract with studios
The writers still have to vote to ratify the contract themselves in early October, but lifting the strike will allow them to work during that process.
- Andrew Dalton
Los Angeles, US
Hollywood’s writers’ strike was declared over after nearly five months Tuesday night when board members from their union approved a contract agreement with studios, bringing the industry at least partly back from a historic halt in production.
The governing boards of the eastern and western branches of the Writers Guild of America and their joint negotiating committee all voted to accept the deal, two days after the tentative agreement was reached with a coalition of Hollywood’s biggest studios, streaming services and production companies. After the vote they declared that the strike would be over and writers would be free to start on scripts at 12:01 am Wednesday.
Late-night talk shows—the first to go dark when writers walked out on May 2—are likely the first shows that will resume. Scripted shows will take longer to return, with actors still on strike and no negotiations yet on the horizon.
The writers still have to vote to ratify the contract themselves in early October, but lifting the strike will allow them to work during that process, the guild told members in an email.
After Tuesday’s board votes, the contracts were released for the first time to the writers, who had not yet been given any details on the deal, which their leaders called “exceptional”.
The three-year agreement includes significant wins in the main areas writers had fought for—compensation, length of employment, size of staff and control of artificial intelligence—matching or nearly equaling what they had sought at the outset of the strike.
The union had sought minimum increases in pay and future residual earnings from shows of between 5 percent and 6 percent depending on the position of the writer. The studios had wanted between 2 percent and 4 percent. The compromise deal was a raise of between 3.5 percent and 5 percent.
The guild also negotiated new residual payments based on the popularity of streaming shows, where writers will get bonuses for being a part of the most popular shows on Netflix, Max and other services, a proposal studios initially rejected. Many writers on picket lines had complained that they weren’t properly paid for helping create heavily watched properties.
The writers also got the requirement they sought that shows intended to run at least 13 episodes will have at least six writers on staff, with the numbers shifting based on the number of episodes. They did not get their desire for guaranteed staffs of six on shows that had not yet been ordered to series, settling instead for a guaranteed three.
Writers also got a guarantee that staffs on shows in initial development will be employed for at least 10 weeks, and that staffs on shows that go to air will be employed for three weeks per episode.
On artificial intelligence, the writers got the regulation and control of the emerging technology they had sought. Under the contract, raw, AI-generated storylines will not be regarded as “literary material”—a term in their contracts for scripts and other story forms a screenwriter produces. This means they won’t be competing with computers for screen credits. Nor will AI-generated stories be considered “source” material, their contractual language for the novels, video games or other works that writers may adapt into scripts.
Writers have the right under the deal to use AI in their process if the company they are working for agrees and other conditions are met. However, companies cannot require a writer to use AI.
Still-striking members of the Screen Actors Guild-American Federation of Television and Radio Artists returned to the picket lines
earlier Tuesday for the first time since the writers struck their tentative deal, and they were animated by a new spirit of optimism.
“For a hot second, I really thought that this was going to go on until next year,” said Marissa Cuevas, an actor who has appeared on the TV series ‘Kung Fu’ and ‘The Big Bang Theory’. “Knowing that at least one of us has gotten a good deal gives a lot of hope that we will also get a good deal.”
– Associated Press